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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell alongside Marc Almond at Leeds during 1977

Dave Ball, one half of the innovative 1980s electronic music duo Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the pair achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a seminal work of synth-pop.

He later founded the pioneering electronic act The Grid, who achieved chart success with their 1994 single the hit Swamp Thing.

Ball died peacefully in his rest at his home in London on October 22, just weeks after performing a headline show with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

At that performance, Ball performed in a wheelchair, as he had for the previous couple of years, following a spate of health issues.

"I managed to injure myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my spine and fractured about five ribs and fractured my wrist."

After contracting a lung infection and suffering from sepsis, he was put in an induced coma and remained in the hospital for seven months.

However, he had been in "high spirits emotionally" over the warmer months, as he worked on a new album with Almond, titled Danceteria, which is set for publication next year.

"He was concentrated and very pleased with the latest project that we actually finished only a short time ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was all set to be such an uplifting year for him, and I find comfort from the knowledge that he listened to the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant part of my life and for the songs you gave me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is distinct from joining a group, the bond is incredibly close," he added.
"That's how it was with us. We experienced so many extraordinary, extraordinary, life-affirming moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in 2018

Formative Years

Born into a one-parent family in Chester in the late 50s, Ball was put up for adoption when he was 18 months of age.

He was raised in the seaside town with his new family Donald and Brenda Ball, who altered his first name from Paul to David, alongside his younger sister his sister, who was also adopted.

He met Almond at Leeds Polytechnic in 1977, where they were both learning art. Fuelled by a shared love of a music genre, they formed Soft Cell the very year, and quickly produced an EP.

Creative Collaboration

The pair were an distinctive combination: Ball was the quiet technician, bent over his keyboard, while Almond was a flamboyant performer, all glitter and makeup; but they attained a rare musical alchemy.

Ball had developed a fascination with synthesizers after viewing the band Kraftwerk perform on a television program a popular series, and started to combine moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular single of 1981, shifting 21 million copies worldwide. Alongside successful tracks by Gary Numan, Human League and Ultravox, it contributed to paved the way for the electronic music style of the 1980s.

The song was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The duo were working on new material right up until Ball's passing

Career Highlights

Fame had its upsides. "I loved being able to purchase my first home, having money and exploring, which might seem like a beauty queen," Ball recently told with a music magazine.

But it also caused challenges. "Sudden riches meant we could purchase substances to alleviate the monotony" of press appearances and TV performances, Ball said.

"I know that's a cliché, but it's a truism for a valid cause, because it applies for so many bands."

Amidst the party-filled existence, the duo were also drifting apart, but they succeeded to create a follow-up memorable record - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They put out one more LP, 1984's This Last Night In Sodom, before ending the group to focus on other projects.

Almond went on to have a successful individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with ambient pop over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, releasing the Top 40 record Cruelty Without Beauty.

Following a further hiatus, they returned in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on September 30, that year.

However, they remained active, creating their latest project, Happiness Not Included, during the pandemic restrictions.

Ball recently described the band's new album as a homage to the NYC nightlife they frequented while recording their first two albums.

He noted that his period in medical care had shaped the group's music.

"I had unusual memories when I was coming and going of the hospital because I was on morphine," he told a music magazine.
"Our latest tracks are a electronic representation of the sounds in my head from those days.
"Simultaneously, it's about the times we got up to in the 80s."

The last versions were finished only days before Ball passed away. It is scheduled for launch in Spring 2026.

Written by

Karen Harvey

A passionate writer and urban planner sharing expertise on community development and sustainable living in Australian suburbs.

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